Can Omnisphere 2 Work On Linux
Mar 26, 2019 This is very strange and this only happens with Omnisphere, however, I think it's a problem within Logic. When I play a note on my MIDI keyboard controller, the 'MIDI Activity In/Out' notes register in the LCD display. So, the controller is obviously working. Alternatives to Omnisphere 2. Instruments have to be high quality and fit into a mix, but once that box has been ticked it is time to put it to work.
Please note: This video was created on a Mac (OS X 10.8.5) designed to mainly assist Mac OS X 10.7 (and higher) users with locating their 'hidden' Users - Library folder. The video and guide then goes through where to place the additional patches so they are detected in Omnisphere.
Omnisphere 2 is available as a download for registered users through the Spectrasonics Webstore/Techshop. Once you have downloaded Omnisphere 2 via the Download Manager, follow this set of instructions to install it on your Windows system. Spectrasonics – Omnisphere 2 + Keyscape + Trilian + Stylus RMX (VSTi, RTAS, AAX, AU) WiN-OSX x64 2,680 views Spectrasonics – Omnisphere 2 POWER SYNTH Version 2. Eli Krantzberg returns with the most comprehensive video tutorial series on Spectrasonic's flagship virtual instrument, Omnisphere 2. In this comprehensive series, Eli covers every aspect of this powerful and versatile instrument, as well as teaching you how to use it creatively! Aug 08, 2019 This will work with Pre and Post fader sends there is a lot of Professional level people. Thus, there are also hundreds of FX Racks and Presets. Hence, Omnisphere 2.6has all you need. Also, you can also apply your own specific sound documents as a sound source. In Omnisphere 2.6 Activation Code latest, you can also drag up on to the layout.
Windows PC users can still follow this video to see where to place your additional patches. However you will just need to ensure you have located your Spectrasonics folder and then follow the guide / video from here or please view below.
Overview of Video and Guide Details:
Download your purchased expansion library with the Time+Space Connect installer - for ease select your Desktop when asked where you would like to place these files.
Once the download is finished, open the downloaded contents folder into a window.
For Mac users - To locate the CORRECT location to place your files, from within the Finder menu (across the top of your screen) select 'Go'.
With the Go 'drop-down' menu up on the screen hold down your 'alt' key on your keyboard to 'unhide' the Library folder.
Select the Library folder and double-click the 'Application Support' folder.
Where to place the Patches:
Now locate your 'Spectrasonics' folder and go to 'STEAM', 'Omnisphere', 'Settings Library'.
Here you will find a 'Patches' and a 'Multis' folder.
Double-click the 'Patches' folder.
From your desktop, double-click your downloaded folder to open it into a second window.
Place the two windows next to each other so you can see both windows - your 'Patches' folder and your new content folder.
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Within the 'Patches' folder, create a new folder and name it after the developer of the library (ILIO, Audiority or The Unfinished). Now double-click this new folder to open it.
Now simply highlight the new patches folders from the second window and drag&drop them into your new folder.
Please note - the Audiority bundle (Trapshere library) also includes bonus Wav files. These are just for your use, Omnisphere does not need them. You can place them with your usual sound library files if you wish.
Please note - The Unfinished libraries contain 'Patches' presets and 'Multis' presets. Please ensure you place the PATCHES into this Patches folder and then go back to the 'Omnisphere' 'Settings Library' window to locate your 'Multis' folder. Then just create a new folder in here called 'The Unfinished' and drag&drop the additional MULTIS into this folder. This stage is not covered in the video.
Now the files are in the correct location. Open Omnisphere in your DAW / music host.
When the Omnisphere interface loads, please press the 'CHECK FOR UPDATES' button (top-left) and ensure all green lights are showing and that you have installed all of the needed updates. Without the latest update, some presets may not work correctly!
From the Patch Browser within Omnisphere, go to 'Directory' and select your new patches.
If the developer folder does not show, try refreshing the Omnisphere browser window (with the bottom-left circular arrow button).
on Oct 23, 2015 in Synths & Sound Design 0 comments
Spectrasonics Omnisphere is known as one of the most powerful and best sounding software synthesizers on the market. It has just received another boost into the audio production stratosphere with its extensive 2.0 update, attracting new users and fans for its sound quality and design. It’s easy to get wrapped up in exploring and playing the thousands of patches available, especially the new additions. And without fault, there are so many usable sounds right of the box that can be used to enhance any production. Producers and composers alike should indulge!
Can Omnisphere 2 Work On Linux Free
That said, the purpose of this article is to explore the basics of custom synth patch creation using the powerful and easy to use interface in Omnisphere. Not only is the interface design intuitive, but also the complexity of what’s possible can keep the most seasoned music producers busy for months, if not years! If you do a search for custom Omnisphere patches, there are gurus out there selling their wares or offering free downloads of their creations. For those of you starting out with software synth programming, Omnisphere is a worthy investment and a good place to start.
In this article, I will give an overview of how to begin to program synth patches and very quickly find unique and inspiring sounds. I’ll go over types of waveforms, routing and using the modulation sections, where all the magic happens. Along the way, I’ll share some audio clips of my progress. By no means will I be able to cover everything is this short article, but I hope it inspires you to explore Omnisphere or another favorite software synth in your DAW. Come along for the ride as I lead you through my process.
In the Beginning: The Default Patch
When you load up Omnisphere into your DAW, the Default patch is loaded with a ‘SawSquare Fat’ waveform in the Synth window in the Oscillator section. This is the place where we can first select the basic waveform to build from or use a sample instead. For this article, we will be building from the synth generator. There are dozens of different waveforms to choose from including waveforms from Classic hardware synths, analog timbres and digital wavetables. I chose a classic Triangle wave from the top menu.
More Fun in the Oscillator Section
In the expanded oscillator section you have the option to add additional synthesis including FM (Frequency Modulation), Ring Modulation, Waveshaper and choose between Unison, Harmonia and Granular. They all change in the sound in different ways depending on your starting waveform so I would suggest staying in this area for quite a while and explore the options within each section. For my simple triangle wave, I chose to use the Unison section to fatten up the sound a bit. The Unison function makes slightly detuned copies of the original waveform and layers them to create the bigger sound. The spread slider widens the stereo field beautifully. Harmonia is great for creating chords by just pressing one note and Granular, a new synthesis feature in Version 2, is another specialized, but beautiful sound design option.
Synth Design Example 1—‘SawSquare Fat’, ‘Triangle’ and ‘Triangle with Unison’:
Playing with Modulation
Figure 4 – Quickly access Modulation drop down menu by right clicking on any parameter.
Back in the A section overview, I decided to play around with The Shape, Symmetry and Hard Sync sliders in the Oscillator section to bring more character to the sound. I also experimented with modulating each of these parameters through different LFOs operating at slightly different, slow rates. I quickly discovered that I was starting to create an interested Pad sound with evolving character. At this point I also went to my Amp Envelope section and adjusted the attack and release so that it was smooth on both ends when changing between chords. I also turned on the main Filter and modulated the Cutoff through LFO 4. I’ve included both samples with and without the Modulating filter cutoff so you can hear the difference. All these adjustments changed the sound dramatically from the previous ‘Unison’ example, as you’ll hear below.
Synth Design Example 2—Designing a Dynamic Pad Sound with Modulation routing, Filter and Amp Envelopes:
Figure 5 – Modulation Matrix Window in Omnisphere.
The Modulation section matrix window is a great place to try different sources and targets. Anything in the Oscillator section can be modulated with LFOs, envelopes and assigned to controllers like mod wheels. I felt more comfortable navigating this Mod section in particular compared to other software synths I’ve worked with.
Save and Tag your Custom Patch
One of most important steps in Synth patch creation is to save and tag your new sound so you do not loose all your hard work and time. You may find a few different variations of a patch during your synthesis process that warrant saving, naming and tagging for different musical purposes. The First step is to save your sound in the ‘User’ directory, make a Category for (in this case ‘Pad Sounds’) and then name your patch. In the ‘Edit Tags’ Screenshot below, I assigned some adjectives to the various attribute types available. I also added my name to the list as an author of that particular patch. It is important to be as detailed as possible so you can find the patch later when searching for similar sounds.
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Figure 6 – Creating Tags for Custom Patches in Omnisphere.
Can Omnisphere 2 Work On Linux Download
Fun with Effects and Arpeggiation
Having completed one pad sound, I used it as a starting point to design another usable sound. I didn’t touch on the FX or Arpeggiator sections in the previous example, so I experimented with those to come up with another synth sound. I was interested in doing something more rhythmic and staccato. First, I made adjustments to my Amp envelope so I had a shorter Attack and Release. Then, I tried out some Arpeggiator presets, selected something close to what I was looking for, and then edited the timing and velocity. In the FX section, there are tons of directions to go with the sound. In this patch, I settled on using one of my favorite new FX in Omnisphere called Innerspace, an Envelope filter and Stereo Imager. My new result is featured below:
Synth Design Example 3—with Arpeggiation and FX:
Figure 8 – FX Section Rack with Innerspace, Envelope Filter and Stereo Imager.
A World of Possibilities… Guided by You!
The world of synth programming is open to all producers and musicians regardless of experience. Software synths in particular are becoming so accessible that anyone can start to create unique sounds quickly. As I discovered on my journey, my custom patches started with a simple triangle wave and become so much more with just a few adjustments to various parameters. Whether you use Omnisphere or another synthesizer, I hope you feel encouraged to spend time exploring what’s possible.
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