Panning In Omnisphere 2 Arpeggiator
- Sep 11, 2018 With Omnisphere 2.0 comes a massive variety of new synthesis options, a staggering audio library with over 10,000 sounds, a new interface with an enhanced sound browsing capability, a new and enhanced arpeggiator, 25 new effects units with flexible attributes, as well as other improvements and specialized features that make Omnipshere 2.0 a.
- Omnisphere 2.6 includes a stunning new “Hardware Library” with over 1,600 new patches created by Eric Persing and the renowned Spectrasonics Sound Development team. Each hardware profile has a corresponding set of sounds in the Hardware Library which were specially designed using that hardware synth as an Omnisphere controller.
Spectrasonics’ Omnisphere 2.6 is compatible with more hardware synths and has a pumped-up arpeggiator. The freshly minted Omnisphere 2.6 sees Spectrasonics building on the hardware synth integration that landed in version 2.5. There’s also a revamped arpeggiator, along with new sounds.
Best bpm and key analyzer. on Mar 28, 2018 in Synths & Sound Design 0 comments
Omnisphere is a supremely powerful multi-instrument from Spectrasonics that combines samples, synthesis and a bunch of other tools to let you make a huge array of different sounds and textures. In this short video from the course Omnisphere 101: Omnisphere 2 Explored, Matt Vanacoro gets to grips with Omnisphere's arpeggiator which can can be used to add movement, dynamics and interest to patches.
Matt demonstrates how to set up, tweak and manipulate the arpeggiator to create movement and patterns, switch octaves and even lock it to a groove using a MIDI file to match other elements of your track. You'll see that you can change pattern length, use chord mode and much more. Learn everything you need to know about Omnisphere by watching the other videos in this 37-video course!
Omnisphere 101: Omnisphere 2 Explored
When Spectrasonics releases a new instrument, the whole world listens… especially when that instrument is a new version of their award-winning, industry-leading synth: Omnisphere! This course takes you through all of O2’s main features and gets you very familiar and comfortable with this incredibly deep and powerful synth.
Trainer Matt Vanacoro explains everything from Omnisphere 2’s installation to its vast collection of sound generation engines, processors and controls. There are so many levels to this omnipotent synth that it’s important to understand all the features and how they work together. That’s exactly what this course is designed to do!
So dive into Omnisphere 2. Learn how to harness its power. Master its massive library. Familiarize yourself with its controls and then, take it for a sonic joy ride.. and please remember to hold on tight!
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Panning In Omnisphere 2 Arpeggiator Download
• Ground-breaking Hardware Synth Integration allows hands-on control of Omnisphere
• Audio Import - Use your own audio file as a soundsource
• State of the Art Arpeggiator with many unique features
• Over 500 DSP Waveforms for the Synth Oscillator
• Sound Match™ feature instantly locates any related sounds in the library
• Hardware Library with distinct ‘classic analog’ flavor
• Powerful Granular Synthesis for amazing transformations
• 58 incredible FX Units, which are fully integrated and can be modulated
• Creative “Psychoacoustic” sounds from the renowned Spectrasonics sound design team
• Sound Lock™ feature gives endless useful variations by locking sound aspects while browsing
• Wavetable Synthesis - Each waveform is a Morphing Wavetable
• ORB circular motion interface allows infinitely-shifting variations
• Deeper FM/Ring Modulation capabilities for aggressive timbres
• Dual Filter architecture includes more than 34 Filter algorithms in series or parallel
• Performance-oriented Live Mode allows for seamless patch layering on the fly
• Flex-Mod™ modulation system allows powerful, modular-style matrix routing
• Stack Mode interface allows for complex patch-layering, splits, and crossfades
• Up to 20 oscillators per patch can be either DSP synth or sample-based
• High Resolution resizable Interface with “Zooming” into deeper synthesis levels
• Polyphonic Timbre Shifting/Crushing, Waveshaping and Reduction
• Eight full-featured LFOs per patch, with syncing and complex waveforms
• Twelve Envelopes with both simple ADSR-style or advanced multi-breakpoint interfaces
• Easy Sound/Project Sharing for collaborators and third-party libraries
• Sample-based soundsources can be processed with synthesis features
…and much, much more!